2. The passengers on this Orient Express lived up to my expectations. There was a Count and a Contessa. There was a princess. There was a wealthy American. People traveled with valets and lady's maids.
3. The murder takes places early enough in the story so that basically the entirety of the book is based on the solving of the crime.
4. The train is snowbound in the midst of Yugo-Slavia with no contact with the outside world. This means that our detective, Hercule Poirot had no way to verify the identities or the alibis of the passengers on the train. Can you imagine anything comparable today in this day and age? I suppose in a blizzard in the middle of nowhere it would be possible to be stuck in an information void. It seemed somehow romantic in the novel, but if something like that happened today, the rest of the world would know about it in short order and rescuers would be quickly sent in to get the train back on its tracks. (Just sharing my thinking right here. Even if HP did have a way to contact the outside world, how quickly would he have been able to get information about the passengers on the train? I guess the importance of being stuck in the snow was to prove the point that the murderer had to be one of the passengers on the train. I'm also amazed that HP was so quickly able to discern the real identity of the murdered passenger who was traveling under an alias.)
5. Hercule Poirot is clever. (I'm not talking about the way he cleverly solves the mystery. He's clever in a totally different way.) The interplay amongst HP, M. Bouc, the high up guy from Wagon Lits, the company that operates the train, and Constantine, the doctor who examines the dead body, is extremely clever. The writing is clever. We can forgive Ms. Christie for all the stereotypes used in the book because the writing is so clever.
6. I love saying Wagon Lits. It's pronounced VAH-guhn-lee.
7. I love the way the book was organized. The facts, the evidence and finally Hercule Poirot sits back and thinks. Everything is clearly laid out, including HP's completely far-fetched thinking. A map of the train carriage is included. And the motives and alibis of all the passengers is reiterated in summary format.
8. It was okay that the story was totally unbelievable. Totally. And the solution that Hercule Poirot developed was nothing short of miraculous.
Now I'm off to find a version of the movie to watch. Just because I can...
Have you found any in the meantime? My favourite Poirot's are with David Suchet but there are a couple of other "Murder on the Orient Express" sleuths, Peter Ustinov, Alfred Molina and, lately, Kenneth Brannagh. The latter movie has the most beautiful landscape scenes.
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